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View artwork in the Fired Ceramic gallery - the latest work from artist Talia Lehavi. The Talia Lehavi Studio Fine Art Store features an interactive online gallery for Talia’s artwork. The Fine Art Store will mail a piece of work directly to your door. Fired Ceramic swallow circle VII £ 270 View Details swallows circle IV £ 370 View Details swallow circle VIII £ 270 View Details swallows circle II £ 450 View Details swallow circle V £ 270 View Details swallows circle I £ 450 View Details swallow circle IX £ 270 View Details swallows circle III £ 370 View Details swallow circle X £ 270 View Details

Learn several ways on how to get started in your journey of Japanese ink painting. Keep updated on upcoming ArtBrush Japanese ink painting courses and calligraphy workshops with artist Talia Lehavi. Learning Japanese Ink Painting An Introduction to Japanese Ink Painting The study of Asian ink painting is a practice of being with the heart’s rhythm. Exercising discipline and steadiness of hand and mind to develop a creative process over a substantial period of time. This is an active meditation process in encouraging new ways of observation and self-listening as part of healing and inspiration. Being an ancient practice form in China and Japan, its validity is true today as in its glorious past, especially useful for those who wish to encourage a creative mode of life in themselves. The appeal of Japanese ink painting, known as suiboku-ga or 'pictures of ink and water', is in the flow of the brush. The seemingly 'effortless' minimalist stroke that suggests a bamboo in the wind, or a flying sparrow, is magical. It is an art form of economy, using one brush and one colour to reflect upon nature's harmonies. Results can be achieved on first practice, yet to achieve flawless mastery of the brush, ongoing training is necessary. The study emphasizes solid brush strokes, and so the practice of calligraphy, known as shodo, offers a good platform with learning a variety of strokes. The play between ink and water on fine paper stimulates the visual impact between the subject matter and the space around it, to give the feeling of depth, light and richness of composition and colour, even though generally 'only' black ink is used. Japanese ink painting was traditionally divided into two main schools of practice. The first is 'line-work,' depicting a subject with line drawing of the outside form. The second style developed is 'ink marks', depicting a subject as ink marks with no outside line. Upon this basic practice, a combination and variety of techniques has developed, including the use of Japanese watercolour, made from natural pigments. TOOLS The tools and materials needed for ink painting The four main tools and materials used in this practice are brush, paper, ink stick and ink stone. Known as 'the four treasures ', these carry a long tradition of craftsmanship in their own right and their quality varies from a simple student's kit to a highly-prized, collectible, hand-made sets. Paper is made of various percentages of kozo fiber (made from the bark of mulberry bush). It can vary in thickness, shade and size. The brush, made of natural animal hair, varies in hardness, size and shape. The ink stick, known as sumi, is made out of soot or coal dust, traditionally mixed with essential oils and natural glue to form a solid stick. This black solid ink has a range of shades of black and a variety of translucency. The ink-stone, known as suzuri, is traditionally made out of slate, which has a rough surface upon which to grind the ink. View all Tools and Materials blue & white set View Set celadon set View Set traveller set View Set CONTENT Learn how to paint with Talia Beginners are best to start with learning four traditional themes, known as 'The four princes of ink' - Bamboo, plum-blossom, wild orchid and chrysanthemum, are the four fundamental subjects that hold within them the basic brush-strokes necessary to accomplish success. This study goes well alongside an introduction to calligraphy characters (kanji). More advanced study, for those with some knowledge of the field, includes themes such as songbirds & flowers, sea-life, animals, landscape & figures. At this level, students should look for an in-depth study of composition and use of space. A helpful way is to observe and study the great masters of the brush from the history of Japanese art. At this level, it is well advised to accompany the study with calligraphy practice of kana script as well as more complex kanji. Foundation Course Step-by-step how to create beautiful Japanese ink paintings of wild orchids, bamboo, chrysanthemum, and plum blossom View Course Wild Flowers and Grasses Step-by-step how to create beautiful Japanese ink paintings of poppies, grasses, gentian, fennel, cyclamen, dandelion and thistles. View Course Summer Flowers and Insects Step-by-step how to create beautiful Japanese ink paintings of water irises, wild roses, hydrangea, grand peonies, dragonflies, bees, ants and butterflies View Course METHODOLOGY Gain practical skills and enjoy the experience Students should look for a teacher who can offer a live demonstration, as well as working notes, one-to-one time and practical experience. Understanding the evolution of ink painting in China and Japan will offer an overlay of depth and perception as to the schools and styles of painting that evolved within the art history of these countries. Regardless of whether the student is a complete beginner or a professional artist, the study of ink painting can produce an immediate effect and satisfaction, and yet it is a step in a never-ending journey of refinement. Personal pace and rhythm of progress are best to be encouraged. INSTRUCTOR About the author Talia Lehavi is a contemporary artist and a certified teacher of Japanese ink painting and calligraphy. She holds an MA in Japanese Art History and has been teaching for many years at her London studio as well as museums and various art organizations around the world. Her teaching includes lectures, demonstration, practical workshops and artist mentoring.

View artwork in the Wild Orchids gallery - the latest work from artist Talia Lehavi. The Talia Lehavi Studio Fine Art Store features an interactive online gallery for Talia’s artwork. The Fine Art Store will mail a piece of work directly to your door. Wild Orchids

View artwork in the Tendril gallery - the latest work from artist Talia Lehavi. The Talia Lehavi Studio Fine Art Store features an interactive online gallery for Talia’s artwork. The Fine Art Store will mail a piece of work directly to your door. Tendril Tendril III £ 475 View Details tendril X £ 475 View Details tendril XVI £ 550 View Details tendril XIII £ 475 View Details tendril XV £ 475 View Details tendril II £ 475 View Details tendril VI £ 550 View Details tendril XI £ 475 View Details tendril XX £ 750 View Details

Talia Lehavi is an artist, who works with water-based pigments, powders, and Japanese black ink. Her work invites meditation upon nature and its relationship with colour, light and movement through painting. About Talia My work invites meditation upon nature and its relationship with colour, light and movement. As I draw or paint, I gradually unravel the underlying qualities of balance and harmony within my subject matter. What interests me most is observing the formation of line and pattern: from the blades of grasses to a bird’s feather; from the shifting of clouds to the beat of my heart; from the maps of stars in heaven to the trunk of an old oak tree. I continuously strive to reveal beauty and elegance within the natural rhythm of life and look to my art as a place of well-being, empowerment and inner peace. The materials I love to use are water-based pigments, powders, and Japanese black ink. These are natural and organic and are deeply connected to earth and nature. They afford a rich palette of hues and allow for both extreme precision and flow of movement. I am captivated by the way they blend together and create a whole that is more than its' individual parts. Occasionally, I also add hints of gold and silver, as these reflect light differently at each hour of the day, changing the glow of the work from within. My work is an attempt to find and enjoy a moment in time. The materials I use embrace that moment, echoing their mark on the paper or canvas, and becoming eternal for a short while. I am keen to explore images that can stand the test of time, that would still be of fascination in years to come, and yet are potent in the here in now. I hope that others understand my work with their hearts and emotions; that they are touched and moved by it, and that it evokes a sense of balance, hope, and joy. EXHIBITIONS Work on display Exhibiting both in the UK and internationally, Talia is known for her cross-disciplinary paintings, prints and ceramic tiles. Her work can be found in public collections, as well as many private collections around the world. All Things Ink London Gallery@OXO London Affordable Art Fair London, Bristol Sway Gallery London 54 The Gallery Mayfair, London Glasgow Art Fair Scotland Japan-UK London Edinburgh Art Fair Scotland Windsor Art Fair Windsor COMMISSION Commission a Painting Talia will work with you carefully to get the right artwork to fit your space. Commissioning art is a highly personal process, and you will be able to discuss with Talia details from colour scheme, size and format to lighting and hanging options. Commission a piece CHARITIES Supporting charities The following animal charities are supported by the sales of all artwork and ArtBrush courses. Starting Over Animal Rehabilitation Sanctuary As a non-profit animal sanctuary, they rescue and rehabilitate animals from all over Israel in situations of neglect, abuse and abandonment and are given the opportunity to live a life of freedom, love and peace. The sanctuary promotes the public education of animal protection and works with youth at-risk and disadvantaged populations by integrating them in the animal care and support. Learn more Kindred Spirit Elephant Sanctuary They work to bring elephants back to their natural habitat, and educate the public on the treatment of elephants while combatting illegal trade. They also work with the surrounding village by providing an income for the locals by renting land, creating jobs and teaching English within the community. Learn more INSTAGRAM Follow on Instagram Follow Talia Lehavi on Instagram to stay updated with new artwork and upcoming courses. Load More

To protect the both of us, you are able to read our full business and website terms and conditions that makes everything legal. TALIA LEHAVI Terms & Conditions for Talia Lehavi and ArtBrush Courses Terms By accessing ArtBrush School, you are agreeing to be bound by these Terms of Use, all applicable laws and regulations, and agree that you are responsible for compliance with any applicable local laws. If you do not agree with any of these terms, you are prohibited from using or accessing this site. The materials contained in ArtBrush are protected by applicable copyright and trademark law. Use License Permission is granted to temporarily download one copy of any downloadable materials on ArtBrushe's website for personal, non-commercial transitory viewing only. This is the grant of a license, not a transfer of title, and under this license you may not: modify or copy the materials; use the materials for any commercial purpose, or for any public display (commercial or non-commercial); attempt to decompile or reverse engineer any software contained on the School’s web site; remove any copyright or other proprietary notations from the materials; or transfer the materials to another person or 'mirror' the materials on any other server. This license shall automatically terminate if you violate any of these restrictions and may be terminated by Company at any time. Upon terminating your viewing of these materials or upon the termination of this license, you must destroy any downloaded materials in your possession whether in electronic or printed format. Disclaimer The materials on the ArtBrush website are provided 'as is'. ArtBrush makes no warranties, expressed or implied, and hereby disclaims and negates all other warranties, including without limitation, implied warranties or conditions of merchantability, fitness for a particular purpose, or non-infringement of intellectual property or other violation of rights. Further, ArtBrush does not warrant or make any representations concerning the accuracy, likely results, or reliability of the use of the materials on its website or otherwise relating to such materials or on any sites linked to this site. Limitations In no event shall ArtBrush be liable for any damages (including, without limitation, damages for loss of data or profit, or due to business interruption) arising out of the use or inability to use the materials on ArtBrus's website, even if ArtBrush or an authorised of ArtBrush has been notified orally or in writing of the possibility of such damage. Because some jurisdictions do not allow limitations on implied warranties, or limitations of liability for consequential or incidental damages, these limitations may not apply to you. Revisions and Errata The materials appearing on the ArtBrush's website may include technical, typographical, or photographic errors. ArtBrush does not warrant that any of the materials on its web site are accurate, complete, or current. ArtBrush may make changes to the materials contained on its web site at any time without notice. ArtBrush does not, however, make any commitment to update the materials. Links ArtBrush has not reviewed all of the sites linked to its website and is not responsible for the contents of any such linked site. The inclusion of any link does not imply endorsement by ArtBrush of the site. Use of any such linked website is at the user's own risk. Site Terms of Use Modifications ArtBrush may revise these Terms of Use for its website at any time without notice. By using this website you are agreeing to be bound by the then current version of these Terms of Use. Governing Law Any claim relating to the ArtBrush's website shall be governed by the laws of the School Owner’s home jurisdiction without regard to its conflict of law provisions. Refund Policy You have the right to cancel your membership within 7 days without giving any reason. The cancellation period will expire after 7 days from the day you started your membership with ArtBrush. To exercise the right to cancel you have to inform ArtBrush of your decision to cancel your membership by a clear and dated statement in writing (email) stating your full name and will to cancel. Effects of Cancellation If you cancel this membership/contract ArtBrush will refund you all payments received from you. ArtBrush will make the refund without undue delay, and not later than 7 days after the day on which we are informed about your decision to cancel this membership. ArtBrush will make the reimbursement using the same means of payment as you used for the initial transaction, unless you have expressly agreed otherwise. In any event, you will not incur any fees as a result of the reimbursement. COMMISSION Terms & Conditions for Commissioned Work Terms The following Terms & Conditions are for the Commission of original artwork or designs from Talia LeHavi. The following information must be read fully and accepted in a written email before the final Commission Agreement is made, which is legally binding. To request a quote, contact Talia . Commission agreement The discussion, documented via email, in which the Artist and Client agree to the subject matter and type of Commission to be produced, the Commission price, the point in time of which the Artist is expected to commence in Start of Work, and – if applicable – the Commission deadline, early termination circumstances, and Copyright. This Commission Agreement shall remain on record with the Artist, along with any other documents related to the Commission, for at least two years. Commission description The Client must specify the content of their Commission to the best of their ability prior to a Commission Agreement. A complex Commission will incur additional illustration fees, to be defined and agreed upon in the Commission Agreement prior to Start of Work. The Client must specify the desired display size of the Commission and any further details that can support the formation of the commission. Timetable The Artist, to the best of their ability, can give a general indication of how long the Commission will take to complete, and when the Client can expect to receive the finished product prior to the Start of Work. The Artist will inform the Client regularly on the progress of the Commission, or if changes to completion times have occurred. The Artist is not obliged to explain the reasoning behind extensions or delays for the completion of a Commission, but will often do so out of courtesy. Start of Work The point in time by which the Client has approved the Artist to start work on the Commission (e.g., Artist begins to create the Commission), a 50% non-refundable deposit must be paid. Price Agreed according to the nature of the commission and clearly stated in the agreement. A 50% up-front, non-refundable deposit to be paid after the approval of the Commission Draft. Ownership of the Commission will only pass from the Artist to the Client on receipt of payment in full. The Commission will not be sent to Purchaser until the agreed payment amount has been received. The payment method will be made via direct bank transfer unless agreed otherwise. Packing and Shipping Packing and shipping costs are included in the quoted price. The artwork will be professionally packed and shipped with a reliable shipping company. The artwork will be fully insured for the shipping, Decline an Offer The Artist has the right to refuse any Commission request, without needing to explain the reason (however, the Artist will likely explain the reasoning for decline out of courtesy). Cancellation The Artist reserves the right to stop work on a Commission, or cancel a Commission request due to poor communication, rude/inappropriate behavior, an inability to effectively communicate in the English language, or a breach of these Terms of Service. Copyrights By commissioning the Artist, the Client is purchasing the Artist’s labor only. The Artist retains all rights to the Commission, which includes but is not limited to: distribution, reproduction, use of the Commission for Artist promotion (e.g. Profiles, Personal Space, Public Space, as defined in the Definitions section herein, etc.). The Client may not distribute, reproduce, or otherwise profit from the Commission, beyond the resale of the original Commission. The client may not edit, alter, or trace the Commission without the Artist’s expressed written permission, or as agreed upon in the Commission Agreement prior to Start of Work. Artist also retains full copyright for any preliminary designs and incidental works made in the creation of the Commission, unless otherwise agreed upon. Restoration If the Commission is damaged or mistakes are evident, the Client will agree to consult the Artist before any restoration and must give the Artist the first opportunity to restore it, if practical. Moral Rights The Client will not permit any use of the Artist’s name or misuse of the Commission which would reflect discredit on his/her reputation as an artist, or which would violate the spirit of the Commission. Damage, Theft, and Misplacement The Artist is not responsible for any damages made to the Commission except for those inflicted at the fault of the Artist or during the Artist’s possession. The Artist will contact the Client should this occur. The Artist is also not responsible for any theft or misplacement of the Commission. The Artist will ensure the packaging of the Commission is safe and secure and will provide full insurance, postage, and tracking details to the Client once the Commission has been posted. The Client accepts all possible risks once the Commission Agreement has been signed and payment made. Any damages or misplacement caused at the fault of the Client or during the Client's possession will not be the responsibility of the Artist. The Artist is not responsible for rectifying online plagiarism or Copyright infringement of the Commission by other parties. Refund policy If the Client is unsatisfied with the Commission for an appropriate reason, they must contact the Artist within seven (7) days of receiving the final Commission. Disliking the Commission or change of mind are not considered for a refund; this is minimalized by providing early drafts and progress photos throughout the Commission process. The Client must state if they want a full refund or an alternative replacement. The Client will have thirty (30) days to send the Commission, otherwise, a refund will not be made. The Client must return the Commission in original packaging with all documents, including the invoice. Postage/shipping costs, insurance, and expenses will be paid by the Client. The refund will be paid back in full to the Client at the discretion of the Artist once the Commission has been received and in the described condition. Refunds regarding damages or misplacement in transit will be covered by the insurance. Preview Request The Client may request a preview of the Commission at any time during the creation process, but may not request changes to the Commission after Start of Work or approval of the draft unless agreed upon in the Commission Agreement prior to Start of Work. Public display The Client may display the Commission in Profiles as long as the Artist’s name (“Talia Lehavi”) is prominently displayed along with a link to talialehavi.com or "@talialehavi" for social media accounts. Additionally, any Profile display of the Artist’s Commission must notify the Artist, unless already defined in the Commission Agreement prior to Start of Work. The Client cannot display a Commission outside of Personal Space or in a Public Space unless the Commission is executed under new Terms of Service agreed upon in the Commission Agreement prior to Start of Work. The Client must obtain written permission from the Artist prior to displaying the Commission in a Public Space if not already defined in the Commission Agreement; additional fees may apply. Commission Works Terms

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View artwork in the Wrinkled gallery - the latest work from artist Talia Lehavi. The Talia Lehavi Studio Fine Art Store features an interactive online gallery for Talia’s artwork. The Fine Art Store will mail a piece of work directly to your door. Wrinkled

View artwork in the Original Ink gallery - the latest work from artist Talia Lehavi. The Talia Lehavi Studio Fine Art Store features an interactive online gallery for Talia’s artwork. The Fine Art Store will mail a piece of work directly to your door. Original Ink blossom II £ 450 View Details strength II £ 275 View Details autumn basket - SOLD £ 0 View Details blossom I £ 450 View Details summer basket £ 245 View Details blossom III - SOLD £ 0 View Details gourd £ 1450 View Details strength I £ 275 View Details

View artwork in the Journey gallery - the latest work from artist Talia Lehavi. The Talia Lehavi Studio Fine Art Store features an interactive online gallery for Talia’s artwork. The Fine Art Store will mail a piece of work directly to your door. Journey self strengthening never ceases VI £ 750 View Details self strengthening never ceases V £ 750 View Details self strengthening never ceases IV £ 750 View Details journey £ 575 View Details dwelling II £ 575 View Details self strengthening never ceases V £ 575 View Details dwelling £ 575 View Details self strengthening never ceases II £ 750 View Details Self strengthening never ceases I £ 750 View Details

In this lesson manual you will learn how to paint falcon and pine with Japanese ink and a touch of colour. In Japanese art the theme of falcon and pine represents the season of winter and symbolise strength, courage and longevity. The lesson is divided in three parts with simple steps and instructions for you to follow and create your own beautiful paintings. It includes notes on falcons in Japanese art history, as well as short meditation on the nature of feathers, pine, and falcons, to enhance your contemplative mode as you practice. In the introductory part you will find details on tools and materials used in this art form. You can source these from a recommended suppliers list included at the end of the manual. In the first part you will learn a step by step how to paint feathers and a standing falcon. The second part is dedicated to practice painting branches and pine needles to use in a composition of a falcon standing on a pine branch. And in the third part of the lesson, you will learn further detailed study of the head and claws of the bird and practice painting a falcon in flight. As part of the bonus material in this lesson, you will find additional compositions to practice your brush strokes skills. Using shades of ink and layers of washes, you are invited to enjoy exploring the beauty of painting this magnificent bird, together with a deeper understanding of its healing qualities and significance in Japanese art history. NOTE: This is a working booklet style manual lesson. It is presented as a PDF file and is designed so that you can download, print and bind it as a working booklet to work with.   Falcon and Pine Step-by-step how to paint the majestic falcon and evergreen pine Enrol for £25 Course Description About this manual In this lesson manual you will learn how to paint the majestic falcon and evergreen pine. In Japanese art the theme of falcon and pine represents the season of winter and symbolise strength, courage and longevity. The lesson is divided in three parts with simple steps and instructions for you to follow and create your own beautiful paintings. It includes notes on falcons in Japanese art history, as well as short meditation on the nature of feathers, pine, and falcons, to enhance your contemplative mode as you practice. In the introductory part you will find details on tools and materials used in this art form. You can source these from a recommended suppliers list included at the end of the manual. In the first part you will learn a step by step how to paint feathers and a standing falcon. The second part is dedicated to practice painting branches and pine needles to use in a composition of a falcon standing on a pine branch. And in the third part of the lesson, you will learn further detailed study of the head and claws of the bird and practice painting a falcon in flight. As part of the bonus material in this lesson, you will find additional compositions to practice your brush strokes skills. Using shades of ink and layers of washes, you are invited to enjoy exploring the beauty of painting this magnificent bird, together with a deeper understanding of its healing qualities and significance in Japanese art history. NOTE: This is a working booklet style manual lesson. It is presented as a PDF file and is designed so that you can download, print and bind it as a working booklet to work with. GALLERY Highlights of what you will paint Learn how to paint Falcon and Pine Step-by-step how to paint the majestic falcon and evergreen pine Enrol for £25 INSTRUCTOR Meet your teacher Talia Lehavi is an artist, a practitioner and a teacher of traditional Japanese ink painting. Following years of teaching, her love and passion for this artistic medium has now prompted her to create ArtBrush - online school for the studies of Japanese ink painting. The school is designed for students of all levels, from around the world, who are excited to learn, explore and discover the joy of ink painting and its many facets. TESTIMONIALS What our students say about their experience Very detailed and informative course ! I have always been an admirer of Asian traditional painting and this course provided me of an insider's look of this magic world. With the help of Talia and the ARTBRUSH online courses, I have managed to learn, exercise and master special brushwork techniques otherwise unaccesible to me. I also got an overall understanding of the aesthetics around this beautiful world of ink painting. I totally recommend this! — Olympia T . Artist & Writer Usually I would prefer a direct teaching with Talia, but these days as we are Corona isolated, there is nothing like the simplicity of painting with Talia's instructions. To dive into the ink and colour, is the best anti-Corona medicine. Especially when painting purple-lilac Wisteria, with its healing properties, connecting me to a better World. Having sent my practice to Talia, her personal responses are ever so encouraging and inspiring. Highly recommended. — Tamar S. Family Doctor & Herbalist CONTENT Included in this manual Welcome to your lesson Your workspace Tools and materials Check list Part I - Standing flacon Falcons in Japanese art painting feathers How to paint a falcon Soul meditation - Feathers Standing falcon - Three compositions to practice Part II - Falcon and pine Pine in Japanese art How to paint a branch Four ways to paint pine needles Soul meditation - Pine Falcon and Pine - Composition Part III - Flying falcon and pine Painting falcon’s head and claws How to paint a falcon in flight Flying falcon - Two compositions to practice Soul meditation- Falcon Flying falcon and pine - Composition Bonus material Painting a pine tree - Notes and Composition Falcon and pine paintings by 18th C. Japanese ink masters Recommended sources for tools and materials Learn how to paint Falcon and Pine Step-by-step how to paint the majestic falcon and evergreen pine Enrol for £25 FAQs Frequently Asked Questions When does the course start and finish? The course starts now and never ends! It is a completely self-paced online course – you decide when you start and when you finish. How long do I have access to the course? How does lifetime access sound? After enrolling and as long as ArtBrush is live online, you have unlimited access to the course across any devices you own for as long as you like. I am a complete beginner. Is this for me? Yes! The course is designed with beginners and intermediate students in mind, as well as, those who are keen to deepen their knowledge of the field. There are many step-by-step videos that are perfect for anyone just getting started. No previous experience in art or ink painting is required. The course is for mixed-level abilities. I am a professional artist. Is this for me? Absolutely! Many professional artists and designers have been studying with Talia and have benefited from the Japanese art and practice aesthetics. The courses offer new ways of observing nature and understanding painting composition and space in a way unique to Japanese ink painting. How do I enrol on a course? To enrol on one of the ArtBrush courses, click on any "Enrol" button on this page and complete your purchase. You will need to create an account with us to purchase and access the course. If you already have an account, log in to complete your purchase. Then, you'll have access to the course, and your purchase details will be emailed to you. Would I need any special tools and materials? Yes! There is a short 'check list' video inside the course for help in setting up your workspace and for preparing your tool-set for the courses. You will find also inside the course Talia's recommended list with links to main UK and US art supplyers. You can read about Japanese ink painting tools and materials HERE . What software do I need to access the course? Please simply ensure that you have updated your internet browser to the latest version. If you run into any technical issues, we advise to clear your cache, cookies and browsing history. For any further technical enquiries please contact: artbrushonline@gmail.com What if I wish to cancel? We would never want you to be unhappy! If you are unsatisfied with your purchase, contact us in the first 7 days and we will give you a full refund. How can I get further help and ask a question? At any time, our team will help you at: artbrushonline@gmail.com

Explore a collection of handmade fired ceramic tiles and small bowls, complete with Japanese ink painting, by artist Talia Lehavi. < Back Fired Ceramic Shop this gallery